Walking into Ghost Face’s world
He was asked:
Outside of Marco Beltrami, you’re now the only other composer who has ventured into Ghost Face’s world. What was it like walking the streets of Woodsboro and working on a project with such an iconic and previously established sound?
Tyler’s answer reveals his affection for the franchise — and the long creative history he shares with the team behind it:
“You know, it’s great! I love those movies and I love those scores. And, there’s this time gap between Scream and the previous Scream movies, but it definitely connects. Both as films and musically. There’s this kind of connection too that we bring into the ‘now’ with these new directors that have come on board that also directed Ready or Not. That’s of course how I know them and the producers. I’ve worked with the producer William Sherak before and we go all the way back with films like Four Dogs Playing Poker, Darkness Falls and so many things in the early 2000s. I’ve done so many films with William. And then James Vanderbilt is a writer and producer and you know, I scored his film Truth with Cate Blanchett and Robert Redford. He also wrote Darkness Falls, actually! So this was kind of like getting many, many people that I’ve worked with many, many, many times all together. Between the directors and the producers, it’s something like 20 films we’ve done together if you combined it all.”
That familiarity — that shorthand — is rare. And it matters.
Honoring the past while carving the future
Tyler also acknowledged the delicate task of stepping into a franchise with a fiercely beloved musical identity:
“And, getting into that Scream world…I mean, I loved the series before and still do to this day. I also love where this takes it. Also, stepping into a role where it’s a series or something, I’m very used to doing that. I took over the Final Destination series after Shirley Walker passed away. When Jerry Goldsmith passed away, I took over the Rambo series. And then, of course, I’d take over Avengers: Age of Ultron from Alan Silvestri and then the Iron Man series. I’ve done it quite a lot and I always want to honor the past and what came before. I also want to create something that is very unique and ultimately, is the exact right tone for the particular film that I’m working on.”
This is where Tyler shines: respecting the DNA while injecting something unmistakably his own.
And for Scream, that balance is everything. The franchise breathes through its tone — tension, meta-awareness, sudden humor, genuine dread — and the score has always been its invisible pulse.
Ready to listen?
January 14th, 2022 is coming fast.
Are you also excited to hear what Scream (2022) has waiting for us?
Ghost Face lives in the shadows — but he also lives in the strings, the crescendos, the silence before the slash.
